Crate rusoto_mediaconvert
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AWS Elemental MediaConvert
If you’re using the service, you’re probably looking for MediaConvertClient and MediaConvert.
Structs
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AC3.
Accelerated transcoding can significantly speed up jobs with long, visually complex content.
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AIFF.
Settings for ancillary captions source.
When you mimic a multi-channel audio layout with multiple mono-channel tracks, you can tag each channel layout manually. For example, you would tag the tracks that contain your left, right, and center audio with Left (L), Right (R), and Center (C), respectively. When you don't specify a value, MediaConvert labels your track as Center (C) by default. To use audio layout tagging, your output must be in a QuickTime (.mov) container; your audio codec must be AAC, WAV, or AIFF; and you must set up your audio track to have only one channel.
Settings related to audio encoding. The settings in this group vary depending on the value that you choose for your audio codec.
Settings related to one audio tab on the MediaConvert console. In your job JSON, an instance of AudioDescription is equivalent to one audio tab in the console. Usually, one audio tab corresponds to one output audio track. Depending on how you set up your input audio selectors and whether you use audio selector groups, one audio tab can correspond to a group of output audio tracks.
Advanced audio normalization settings. Ignore these settings unless you need to comply with a loudness standard.
Use Audio selectors (AudioSelectors) to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab (AudioDescription). Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
Use automated ABR to have MediaConvert set up the renditions in your ABR package for you automatically, based on characteristics of your input video. This feature optimizes video quality while minimizing the overall size of your ABR package.
Use automated encoding to have MediaConvert choose your encoding settings for you, based on characteristics of your input video.
Settings for quality-defined variable bitrate encoding with the AV1 codec. Required when you set Rate control mode to QVBR. Not valid when you set Rate control mode to a value other than QVBR, or when you don't define Rate control mode.
Required when you set Codec, under VideoDescription>CodecSettings to the value AV1.
Use ad avail blanking settings to specify your output content during SCTE-35 triggered ad avails. You can blank your video or overlay it with an image. MediaConvert also removes any audio and embedded captions during the ad avail. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ad-avail-blanking.html.
Required when you choose AVC-Intra for your output video codec. For more information about the AVC-Intra settings, see the relevant specification. For detailed information about SD and HD in AVC-Intra, see https://ieeexplore.ieee.org/document/7290936. For information about 4K/2K in AVC-Intra, see https://pro-av.panasonic.net/en/avc-ultra/AVC-ULTRAoverview.pdf.
Optional when you set AVC-Intra class (avcIntraClass) to Class 4K/2K (CLASS4K2K). When you set AVC-Intra class to a different value, this object isn't allowed.
Settings related to burn-in captions. Set up burn-in captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/burn-in-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to BURN_IN.
This object holds groups of settings related to captions for one output. For each output that has captions, include one instance of CaptionDescriptions.
Caption Description for preset
Settings related to one captions tab on the MediaConvert console. In your job JSON, an instance of captions DestinationSettings is equivalent to one captions tab in the console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
Use captions selectors to specify the captions data from your input that you use in your outputs. You can use up to 20 captions selectors per input.
Ignore this setting unless your input captions format is SCC. To have the service compensate for differing frame rates between your input captions and input video, specify the frame rate of the captions file. Specify this value as a fraction, using the settings Framerate numerator (framerateNumerator) and Framerate denominator (framerateDenominator). For example, you might specify 24 / 1 for 24 fps, 25 / 1 for 25 fps, 24000 / 1001 for 23.976 fps, or 30000 / 1001 for 29.97 fps.
If your input captions are SCC, TTML, STL, SMI, SRT, or IMSC in an xml file, specify the URI of the input captions source file. If your input captions are IMSC in an IMF package, use TrackSourceSettings instead of FileSoureSettings.
Channel mapping (ChannelMapping) contains the group of fields that hold the remixing value for each channel, in dB. Specify remix values to indicate how much of the content from your input audio channel you want in your output audio channels. Each instance of the InputChannels or InputChannelsFineTune array specifies these values for one output channel. Use one instance of this array for each output channel. In the console, each array corresponds to a column in the graphical depiction of the mapping matrix. The rows of the graphical matrix correspond to input channels. Valid values are within the range from -60 (mute) through 6. A setting of 0 passes the input channel unchanged to the output channel (no attenuation or amplification). Use InputChannels or InputChannelsFineTune to specify your remix values. Don't use both.
Specify the details for each pair of HLS and DASH additional manifests that you want the service to generate for this CMAF output group. Each pair of manifests can reference a different subset of outputs in the group.
Settings for CMAF encryption
Settings related to your CMAF output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to CMAFGROUPSETTINGS.
These settings relate to the fragmented MP4 container for the segments in your CMAF outputs.
Settings for color correction.
Container specific settings.
Specify the details for each additional DASH manifest that you want the service to generate for this output group. Each manifest can reference a different subset of outputs in the group.
Specifies DRM settings for DASH outputs.
Settings related to your DASH output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to DASHISOGROUP_SETTINGS.
Settings for deinterlacer
DescribeEndpointsRequest
Settings associated with the destination. Will vary based on the type of destination
With AWS Elemental MediaConvert, you can create profile 5 Dolby Vision outputs from MXF and IMF sources that contain mastering information as frame-interleaved Dolby Vision metadata.
Use these settings when you set DolbyVisionLevel6Mode to SPECIFY to override the MaxCLL and MaxFALL values in your input with new values.
Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
Settings related to DVB-Sub captions. Set up DVB-Sub captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/dvb-sub-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to DVB_SUB.
DVB Sub Source Settings
Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3_ATMOS.
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3.
Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions. Set up embedded captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/embedded-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to EMBEDDED, EMBEDDEDPLUSSCTE20, or SCTE20PLUSEMBEDDED.
Settings for embedded captions Source
Describes an account-specific API endpoint.
ESAM ManifestConfirmConditionNotification defined by OC-SP-ESAM-API-I03-131025.
Settings for Event Signaling And Messaging (ESAM). If you don't do ad insertion, you can ignore these settings.
ESAM SignalProcessingNotification data defined by OC-SP-ESAM-API-I03-131025.
Settings for F4v container
Settings related to your File output group. MediaConvert uses this group of settings to generate a single standalone file, rather than a streaming package. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to FILEGROUPSETTINGS.
If your input captions are SCC, SMI, SRT, STL, TTML, WebVTT, or IMSC 1.1 in an xml file, specify the URI of the input caption source file. If your caption source is IMSC in an IMF package, use TrackSourceSettings instead of FileSoureSettings.
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value FRAME_CAPTURE.
Settings for quality-defined variable bitrate encoding with the H.264 codec. Required when you set Rate control mode to QVBR. Not valid when you set Rate control mode to a value other than QVBR, or when you don't define Rate control mode.
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value H_264.
Settings for quality-defined variable bitrate encoding with the H.265 codec. Required when you set Rate control mode to QVBR. Not valid when you set Rate control mode to a value other than QVBR, or when you don't define Rate control mode.
Settings for H265 codec
Use these settings to specify static color calibration metadata, as defined by SMPTE ST 2086. These values don't affect the pixel values that are encoded in the video stream. They are intended to help the downstream video player display content in a way that reflects the intentions of the the content creator.
Setting for HDR10+ metadata insertion
Specify the details for each additional HLS manifest that you want the service to generate for this output group. Each manifest can reference a different subset of outputs in the group.
Caption Language Mapping
Settings for HLS encryption
Settings related to your HLS output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to HLSGROUPSETTINGS.
Settings specific to audio sources in an HLS alternate rendition group. Specify the properties (renditionGroupId, renditionName or renditionLanguageCode) to identify the unique audio track among the alternative rendition groups present in the HLS manifest. If no unique track is found, or multiple tracks match the properties provided, the job fails. If no properties in hlsRenditionGroupSettings are specified, the default audio track within the video segment is chosen. If there is no audio within video segment, the alternative audio with DEFAULT=YES is chosen instead.
Settings for HLS output groups
Optional. Configuration for a destination queue to which the job can hop once a customer-defined minimum wait time has passed.
To insert ID3 tags in your output, specify two values. Use ID3 tag (Id3) to specify the base 64 encoded string and use Timecode (TimeCode) to specify the time when the tag should be inserted. To insert multiple ID3 tags in your output, create multiple instances of ID3 insertion (Id3Insertion).
Use the image inserter feature to include a graphic overlay on your video. Enable or disable this feature for each input or output individually. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/graphic-overlay.html. This setting is disabled by default.
Settings related to IMSC captions. IMSC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to IMSC.
Use inputs to define the source files used in your transcoding job. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/specify-input-settings.html. You can use multiple video inputs to do input stitching. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/assembling-multiple-inputs-and-input-clips.html
To transcode only portions of your input, include one input clip for each part of your input that you want in your output. All input clips that you specify will be included in every output of the job. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/assembling-multiple-inputs-and-input-clips.html.
Settings for decrypting any input files that you encrypt before you upload them to Amazon S3. MediaConvert can decrypt files only when you use AWS Key Management Service (KMS) to encrypt the data key that you use to encrypt your content.
Specified video input in a template.
These settings apply to a specific graphic overlay. You can include multiple overlays in your job.
Each job converts an input file into an output file or files. For more information, see the User Guide at https://docs.aws.amazon.com/mediaconvert/latest/ug/what-is.html
Provides messages from the service about jobs that you have already successfully submitted.
JobSettings contains all the transcode settings for a job.
A job template is a pre-made set of encoding instructions that you can use to quickly create a job.
JobTemplateSettings contains all the transcode settings saved in the template that will be applied to jobs created from it.
Use these settings only when you use Kantar watermarking. Specify the values that MediaConvert uses to generate and place Kantar watermarks in your output audio. These settings apply to every output in your job. In addition to specifying these values, you also need to store your Kantar credentials in AWS Secrets Manager. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/kantar-watermarking.html.
Settings for SCTE-35 signals from ESAM. Include this in your job settings to put SCTE-35 markers in your HLS and transport stream outputs at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
MPEG-2 TS container settings. These apply to outputs in a File output group when the output's container (ContainerType) is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.
These settings relate to the MPEG-2 transport stream (MPEG2-TS) container for the MPEG2-TS segments in your HLS outputs.
A client for the MediaConvert API.
Overlay motion graphics on top of your video. The motion graphics that you specify here appear on all outputs in all output groups. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/motion-graphic-overlay.html.
For motion overlays that don't have a built-in frame rate, specify the frame rate of the overlay in frames per second, as a fraction. For example, specify 24 fps as 24/1. The overlay frame rate doesn't need to match the frame rate of the underlying video.
Specify the offset between the upper-left corner of the video frame and the top left corner of the overlay.
These settings relate to your QuickTime MOV output container.
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value MP2.
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value MP3.
These settings relate to your MP4 output container. You can create audio only outputs with this container. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/supported-codecs-containers-audio-only.html#output-codecs-and-containers-supported-for-audio-only.
These settings relate to the fragmented MP4 container for the segments in your DASH outputs.
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value MPEG2.
Specify the details for each additional Microsoft Smooth Streaming manifest that you want the service to generate for this output group. Each manifest can reference a different subset of outputs in the group.
If you are using DRM, set DRM System (MsSmoothEncryptionSettings) to specify the value SpekeKeyProvider.
Settings related to your Microsoft Smooth Streaming output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to MSSMOOTHGROUP_SETTINGS.
These settings relate to your MXF output container.
Specify the XAVC profile settings for MXF outputs when you set your MXF profile to XAVC.
For forensic video watermarking, MediaConvert supports Nagra NexGuard File Marker watermarking. MediaConvert supports both PreRelease Content (NGPR/G2) and OTT Streaming workflows.
Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration (nielsenConfiguration), MediaConvert enables PCM to ID3 tagging for all outputs in the job. To enable Nielsen configuration programmatically, include an instance of nielsenConfiguration in your JSON job specification. Even if you don't include any children of nielsenConfiguration, you still enable the setting.
Ignore these settings unless you are using Nielsen non-linear watermarking. Specify the values that MediaConvert uses to generate and place Nielsen watermarks in your output audio. In addition to specifying these values, you also need to set up your cloud TIC server. These settings apply to every output in your job. The MediaConvert implementation is currently with the following Nielsen versions: Nielsen Watermark SDK Version 5.2.1 Nielsen NLM Watermark Engine Version 1.2.7 Nielsen Watermark Authenticator [SID_TIC] Version [5.0.0]
Enable the Noise reducer (NoiseReducer) feature to remove noise from your video output if necessary. Enable or disable this feature for each output individually. This setting is disabled by default. When you enable Noise reducer (NoiseReducer), you must also select a value for Noise reducer filter (NoiseReducerFilter).
Settings for a noise reducer filter
Noise reducer filter settings for spatial filter.
Noise reducer filter settings for temporal filter.
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value OPUS.
Each output in your job is a collection of settings that describes how you want MediaConvert to encode a single output file or stream. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/create-outputs.html.
OutputChannel mapping settings.
Details regarding output
Group of outputs
Contains details about the output groups specified in the job settings.
Output Group settings, including type
Specific settings for this type of output.
If you work with a third party video watermarking partner, use the group of settings that correspond with your watermarking partner to include watermarks in your output.
A preset is a collection of preconfigured media conversion settings that you want MediaConvert to apply to the output during the conversion process.
Settings for preset
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value PRORES.
You can use queues to manage the resources that are available to your AWS account for running multiple transcoding jobs at the same time. If you don't specify a queue, the service sends all jobs through the default queue. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/working-with-queues.html.
Description of the source and destination queues between which the job has moved, along with the timestamp of the move
Use Rectangle to identify a specific area of the video frame.
Use Manual audio remixing (RemixSettings) to adjust audio levels for each audio channel in each output of your job. With audio remixing, you can output more or fewer audio channels than your input audio source provides.
Details about the pricing plan for your reserved queue. Required for reserved queues and not applicable to on-demand queues.
Details about the pricing plan for your reserved queue. Required for reserved queues and not applicable to on-demand queues.
The Amazon Resource Name (ARN) and tags for an AWS Elemental MediaConvert resource.
Optional. Have MediaConvert automatically apply Amazon S3 access control for the outputs in this output group. When you don't use this setting, S3 automatically applies the default access control list PRIVATE.
Settings associated with S3 destination
Settings for how your job outputs are encrypted as they are uploaded to Amazon S3.
Settings related to SCC captions. SCC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/scc-srt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to SCC.
If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a SPEKE-compliant key provider. If your output group type is CMAF, use the SpekeKeyProviderCmaf settings instead.
If your output group type is CMAF, use these settings when doing DRM encryption with a SPEKE-compliant key provider. If your output group type is HLS, DASH, or Microsoft Smooth, use the SpekeKeyProvider settings instead.
Use these settings to set up encryption with a static key provider.
Settings related to teletext captions. Set up teletext captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/teletext-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to TELETEXT.
Settings specific to Teletext caption sources, including Page number.
Settings for burning the output timecode and specified prefix into the output.
These settings control how the service handles timecodes throughout the job. These settings don't affect input clipping.
Enable Timed metadata insertion (TimedMetadataInsertion) to include ID3 tags in any HLS outputs. To include timed metadata, you must enable it here, enable it in each output container, and specify tags and timecodes in ID3 insertion (Id3Insertion) objects.
Information about when jobs are submitted, started, and finished is specified in Unix epoch format in seconds.
Settings specific to caption sources that are specified by track number. Currently, this is only IMSC captions in an IMF package. If your caption source is IMSC 1.1 in a separate xml file, use FileSourceSettings instead of TrackSourceSettings.
Settings related to TTML captions. TTML is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to TTML.
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VC3
Video codec settings, (CodecSettings) under (VideoDescription), contains the group of settings related to video encoding. The settings in this group vary depending on the value that you choose for Video codec (Codec). For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AV1, Av1Settings * AVCINTRA, AvcIntraSettings * FRAMECAPTURE, FrameCaptureSettings * H264, H264Settings * H265, H265Settings * MPEG2, Mpeg2Settings * PRORES, ProresSettings * VC3, Vc3Settings * VP8, Vp8Settings * VP9, Vp9Settings * XAVC, XavcSettings
Settings related to video encoding of your output. The specific video settings depend on the video codec that you choose. When you work directly in your JSON job specification, include one instance of Video description (VideoDescription) per output.
Contains details about the output's video stream
Find additional transcoding features under Preprocessors (VideoPreprocessors). Enable the features at each output individually. These features are disabled by default.
Input video selectors contain the video settings for the input. Each of your inputs can have up to one video selector.
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value Vorbis.
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP8.
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP9.
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value WAV.
WEBVTT Destination Settings
Settings specific to WebVTT sources in HLS alternative rendition group. Specify the properties (renditionGroupId, renditionName or renditionLanguageCode) to identify the unique subtitle track among the alternative rendition groups present in the HLS manifest. If no unique track is found, or multiple tracks match the specified properties, the job fails. If there is only one subtitle track in the rendition group, the settings can be left empty and the default subtitle track will be chosen. If your caption source is a sidecar file, use FileSourceSettings instead of WebvttHlsSourceSettings.
Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC4KINTRA_CBG.
Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC4KINTRA_VBR.
Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K.
Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVCHDINTRA_CBG.
Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_HD.
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value XAVC.
Enums
Errors returned by AssociateCertificate
Errors returned by CancelJob
Errors returned by CreateJob
Errors returned by CreateJobTemplate
Errors returned by CreatePreset
Errors returned by CreateQueue
Errors returned by DeleteJobTemplate
Errors returned by DeletePreset
Errors returned by DeleteQueue
Errors returned by DescribeEndpoints
Errors returned by DisassociateCertificate
Errors returned by GetJob
Errors returned by GetJobTemplate
Errors returned by GetPreset
Errors returned by GetQueue
Errors returned by ListJobTemplates
Errors returned by ListJobs
Errors returned by ListPresets
Errors returned by ListQueues
Errors returned by ListTagsForResource
Errors returned by TagResource
Errors returned by UntagResource
Errors returned by UpdateJobTemplate
Errors returned by UpdatePreset
Errors returned by UpdateQueue
Traits
Trait representing the capabilities of the MediaConvert API. MediaConvert clients implement this trait.